Artist-Teacher group installation, Birmingham City University (July 2012) 

A group installation made in collaboration with Amy Denton, Jacqui Newey and Janine Tambo.

   

In Mercy for a Trespass, Manor Farm, Ruislip (June 2012)

This temporary installation created the impression of a rich archaeological dig, now abandoned and eventually overgrown. The clay vessels collect rainwater as a reminder of the original purpose of the moat, their vibrant colours and shapes recalling the prosperous Abbey of Bec and Manorial Court that operated on the site from 14th century up until the early 20th century. Our project title plays with the idea that members of the local community will be creating vessels from clay and these will be incorporated as creative ‘tithes’ for our own trespassing, as artists, on the land.  In collaboration with Emily Orley and curated by Constantine Gras.

 

http://inmercyforatrespass.weebly.com/

'You are here.' Mapping Chennai from afar, The Noble Sage (May 2010)

This was a spatial drawing that questioned the performative nature of maps.  Elinor Brass was considering an encounter with a place she had never visited by calling on the visual language of her own immediate surroundings to create a series of new lines and spaces, a new map of somewhere only imagined.

    

A Patina of Antique Filth, Shunt Lounge (October 2009)

A place specific installation made with Emily Orley, with a soundscape created in collaboration with Tim Dutton.  The installation is directly inspired by the colourful history of the London Bridge area and George Orwell's 1933 book 'Down and Out in Paris and London.'

    

Hampstead Road, Camden People's Theatre (April 2008)

An immersive installation created in collaboration with Emily Orley, inspired by the history of the site of the Camden People's Theatre. It involved five hundred found objects, suspended, whitened, and scattered across the space. Suspended, as if in water. Whitened, as if petrified over time, washed-out by age, by use, by neglect, by forgetting. Colourless litter, archaeological remains, a constellation of accumulated history. Sound by Tim Dutton.

'Hauntingly beautiful and calm ... visually arresting'. Andrea Ioannou, Arts Hub, 30 April, 2008


    
http://www.youtube.com/watch?v=4M9E1IOz1pI

Two Journeys ending in the same place (2008)

A short film made in collaboration with Emily Orley and Abigale Priddle documenting two journeys across London ending at Warren Street Underground station.

http://www.youtube.com/watch?v=gRfltOXpdvM

States of Ignorance, Execution Ltd, Brick Lane (August 2007)


Photographs of a small-scale site-specific installation exploring the history of the Old Truman Brewery, Brick Lane, London. Commissioned by and exhibited at Execution Ltd, 91 Brick Lane. In collaboration with Emily Orley.


  
  

Traces of Mr Shillibeer, Pleasance Theatre, London (June 2007)


Photographs of a small-scale site-specific installation exploring the history of the Pleasance Theatre, London. Exhibited on site. In collaboration with Emily Orley.

    

The Way To Be Rich, Mayfair Library, London (January 2007)

Photographs of a small-scale site-specific installation exploring the history of the Mayfair Library, London. Exhibited on site. In collaboration with Emily Orley.    

   
   

Found Lunatic By Inquisition, Hoxton, London (April 2006)

An immersive installation at the Hoxton Distillery,documenting the checkered history of the street, which has been home to poor houses, lunatic asylums, saloon theatres and political dissident groups for centuries. In collaboration with Emily Orley.