2018 Sketchbook Circle Residential in Berlin. I planned and led three days of workshops, gallery visits and site specific experiences in Berlin with Harriet Poole and Georgia Naish. Twenty Art teachers from the UK and Ireland attended giving themselves the chance to connect with their practice, meet other artist educators and to explore the city.

2017    Arnolfini Workshops.  A weekend of workshops that I organised at the Arnolfini Gallery in Bristol.  Workshops were led by artist educators and participants had the chance to explore new materials and techniques. 

2017    We Need to Talk About This: Changing Perceptions of Art's Role and Value in Society.  A seminar at Slade School of Art which was an opportunity for art educators to discuss practices across institutions and qualifications frameworks.  I gave a talk about the projects at Gerald Moore Gallery and the impact on me as an artist educator working in a school.

2017    Sketchbook Circle exhibition and workshops: I organised a day of CPD and an exhibition at Gerald Moore Gallery for the fourth consecutive year to celebrate Sketchbook Circle.  Artist educators led workshops throughout the day with large numbers of participants attending from all over the country.  

2016    Sketchbook Circle Summer SchoolAt this two day summer school I organised at Gerald Moore Gallery there were a range of artist-led workshops giving participants the chance to try book-binding, contact photography and to explore a more conceptual approach using the gallery to display artworks.

2016    Sketchbook Circle exhibition and workshops: I organised and led a large CPD event at Gerald Moore Gallery with 75 art teachers attending from all over the UKPractical workshops and an exhibition of work from Sketchbook Circle 2015.  Supported by Big Draw and the NSEAD.

2015    Sketchbook Circle: An exhibition of work from Sketchbook Circle at the Baltic on Tyneside.  Alongside this were a series of workshops for artist teachers.  I led a workshop exploring the concept of play through writing, reflection and sculpture.

2015    Making Things.  Arts Practice in the Doctoral Form: I participated in an exhibition of work alongside other doctoral students in the department of Art, Design and Museology.

2014   TEA Sketchbook Circle Exhibition and Workshops: I organised and led a large event for art educators at Gerald Moore Gallery.  I curated an exhibition of work from the TEA Sketchbook Circle and organised a day of workshops led by teachers from around the country.  There were 80 people attending and it was supported and attended by the NSEAD and the Campaign for Drawing.

2014    IJADE Publication: Artist Teachers Exchange: Reflections on a Collaborative Sketchbook Project for Secondary School Teachers

2014    What's the Value of Art?  I organised a national project where art teachers made artwork in response to this question 'What is the value of art?' in order that they could be displayed in classrooms across the country.  The images were exhibited alongside Bob and Roberta Smith's work as part of Deptford X on Creekside.  They are now available as part of NSEAD resources.  I also ran a workshop for the Art PGCE students at Goldsmiths in association with Deptford X.

2013    IJADE conference:  Artist Teachers ExchangeThis paper given with Susan Coles was an opportunity to evaluate and reflect upon the first TEA Sketchbook Circle.

2013    TEA conference at the National Gallery: I presented to the conference about the Sketchbook Circle project I established for TEA and gave a presentation about the use of drawing at Gerald Moore Gallery.

2013    TEA Sketchbook Circle: I established this circle of artist teachers as a development of the TEA project.  In this first year there were 29 participants.  This collaborative project has a very active Facebook group and in 2014 over 100 teachers took part nationally (as well as many teachers setting up circles in their own regions, schools and classrooms.)  In 2017 the circle has nearly 300 members in the UK and Europe and a Facebook group of over 800 members.

2012-13    TEA: Thinking Expression Action. I took part in this funded supported by the NSEAD, Campaign for Drawing and NADFAS.  It focused on the use of drawing within learning contexts and involved art teachers writing case studies and developed an active on-line community. I had a case study exploring opportunities in the gallery included in the project.

2012    IJADE conference: I gave a paper introducing Gerald Moore Gallery exploring the collaborative learning that takes place throughout the organisation.

2012    In Mercy for a Trespass: An outdoor installation at Manor Farm heritage site in Ruislip, London, inspired by the history of the site, where there used to be a motte and bailey castle and manorial court, and made in collaboration with Emily Orley and Constantine Gras

2009-2012    The Art Department.  A collective of artists and designers working in educational field in a collaborative project ‘The Homework Club’.  Set up in collaboration with Tanya Paget.

2009    The Patina of Antique Filth.  A site-specific immersive installation with sound by Tim Dutton at Shunt Lounge, London.  In collaboration with Emily Orley. 

2009    'Hampstead Road: an art installation documenting the history of a site.’  Paper delivered at Sites of Performance: Mapping/Theatre/History, a three day conference at Nottingham University.

2008    Mediatised Site Performance Festival, Dance City (Newcastle Upon Tyne).  The culmination of a six month interdisciplinary online project involving artists from all over the world.  (

2008    Meme 1,2 and 3: web-based dialogues with Emily Orley. Work was posted online in response to the city to develop a visual correspondence.

2009    Hampstead RoadA site-specific installation with sound at the Camden People’s Theatre with sound by Tim Dutton.  In collaboration with Emily Orley. (March)

2009    Two Journeys Ending in One Place. A short film made in collaboration with Emily Orley and Abi Priddle documenting two journeys across London ending at Warren Street Underground station.

2007    State of Ignorance. Installation and photographs at Execution, Brick Lane.  In collaboration with Emily Orley.

2007    Traces of Mr Shillibeer. Photographs taken in and inspired by the Pleasance Theatre, Islington.  In collaboration with Emily Orley.

2007    The Way to be Rich according to the Practice of the Great AudleyA small exhibition of photographs taken in, inspired by, the Mayfair Library.  In collaboration with Emily Orley.

2006    Sketchbook Circle. A year-long postal project allowing seventeen artists to work collaboration

2006    Found Lunatic by Inquisition. A site-specific installation at the Hoxton Distillery, London. Created in collaboration with Emily Orley.